BIOGRAPHY
W.D.
HAMMOND, born 1947 in Christchurch.
Bill Hammond is one of New Zealand's most exciting contemporary
artists and his work is in huge demand. He attended Ilam
School of Fine Arts, University of Canterbury, from 1966-68. Although
it wasn’t until 1980 that he began exhibiting his paintings,
it didn’t take long for the New Zealand art community to take
notice. Hammond's was a distinctively individualistic ‘take’
on life, reflecting 20th century life in all its materialistic,
aggressive, citified chaos, with inanimate objects seeming to take
on a life of their own. His mid-1980s’ works, painted on anything
from metal to wallpaper, from canvas to Holland blind, often contained
challenging scenarios of aggression, crime, violence and threat,
featuring characters now reminiscent of 1990s' comic strips. Their
detail rewards close scrutiny.
By the mid-1990s, however, Hammond’s paintings
had assumed a haunting beauty ('Placemakers' series). Gone was the
black humour of that grunty, tough 'underworld'. The clothed, half-human,
half-bird creatures that now populated his canvases, adopting human
stances and characteristics, conveyed a feeling of quiet despair
or resignation as they gazed into the distance. Never do their eyes
meet ours. We are powerless observers of a strange reality as whatever
it is that threatens or eludes these creatures remains out of view.
Their pastimes resemble ours - they relax, have a glass of wine,
play pool, interact with their young and with each other. Their
attitudes, gestures and touch convey a sense of tenderness for and
protection of each other, indicating that theirs in a community
of togetherness.
These paintings were inspired by a trip to the Auckland Islands in 1991, and by
his subsequent interest in the historically important book ‘Buller’s Birds of New Zealand’. The islands
opened his eyes to the astonishing beauty of the land before human
occupation, when bird and wildlife were abundant and life had a
natural harmony. He says of that visit: ‘I saw a New Zealand before there were
men, women, dogs and possums. When you see it without the people,
you know that the soulful, beautiful thing about New Zealand is the land.’
‘Bird-people’ and ‘horse-people’ have continued
to feature in Hammond’s work. In
1992 his work was included in Distance Looks Our Way, an exhibition
of New Zealand artists at Expo
in Seville, and in Headlands,
a survey exhibition of contemporary New Zealand art at the Museum of Contemporary Art in Sydney. He was a joint
winner of the Visa Gold Art Award in 1994.
OTHER
LINKS FOR HAMMOND
. W D Hammond CV/APT3
exhibition (go to Pacific/New Zealand/William Hammond)
. W D
Hammond essay with images, by Tessa Laird
. W
D Hammond on the Chartwell Trust Collection site
. W
D Hammond image of 'Placemakers I', 1996, on Physics Room site
. W
D Hammond two images, 1981 and 1982, painted wood on collage
. W
D Hammond
image and info on The Fall of icarus, 1995 (Christchurch Art Gallery)
. W D
Hammond article by Max Podstolski, 2000 (originally in
spark-online, issue 4, Jan. 2000
. W
D Hammond
on Papergraphica website (with images)
DEALERS
TO CONTACT
Peter McLeavey
Gallery, 147 Cuba St, Wellington - phone: 04-384
7356
Ivan Anthony Gallery, Level 1, 312 Karangahape Rd, Auckland - ph. 377 1229
Brooke/Gifford Gallery, 112 Manchester St,
Christchurch. Ph: 03-366 5288
PRICE GUIDE
(approximate, as at February 2004)
Lithographs $2500 - $4000
Pencil on paper, 1000 x 750mm $6,000
Acrylic on aluminium, 430 x 320mm $15,000
Acrylic on aluminium, 700 x 900mm $35,000
Acrylic on board, 600 x 400mm $50,000
Acrylic on canvas, 1000 x 1500mm $200,000
SELECTED BIBLIOGRAPHY
Art
New Zealand 40:30 'Bill Hammond' by
Jonathon Smart, 1986.
Art New Zealand 40:42-44 'Bill Hammond: The
Images of Funk' by Louise Wilton, 1986.
Distance Looks Our Way: Ten Artists from New Zealand (catalogue), Jim
Barr and Mary Barr, Distance Looks Our WayTrust,
1992.
Art New Zealand 76:42-43 'Bill Hammond' by
Justin Paton, 1995.
Lands and Deeds: Profiles of Contemporary New Zealand Painters, Gregory O'Brien,
Godwit Publishing, 1996.
Art New Zealand 80:38-41. 'Low Job' by Justin Paton,
1996.
Contemporary Painting in New Zealand, Michael Dunn, Craftsman
House, 1996.
Contemporary New Zealand Art 1, Elizabeth Caughey and John Gow, David
Bateman, 1997.
Art New Zealand 85:27 'Bill Hammond' by
Dorothee Pauli,
1997.
Dream Collectors: One Hundred Years of Art in New Zealand,
Alexa Johnston and Ian Wedde,
Te Papa Press, Wellington and Auckland Art Gallery, 1998.
Home and Away: Contemporary Australian and New Zealand Art from the Chartwell Collection, William McAloon
(ed.), Auckland Art Gallery/David Bateman, 1999.
Art AsiaPacific 23 'Bill Hammond
Paints New Zealand', Allan Smith, 1999.
‘Bill Hammond: 23 Big Pictures’ (catalogue),
Dunedin Public Art Gallery, 2000.
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